This article needs consideration from an expert in Pictures. Keep an eye on the edges of your frame to make sure the particular person/animal you are photographing hasn’t had any of their body parts chopped off by it. Slicing off your cat’s tail, your canine’s ears and even a part of your model’s head, will not only spoil your shot, the unintentional limb chopping can pull consideration away from what the viewer should really be looking at.
Unpleasant objects, overexposed or notably vibrant areas and blocks/dots of bright colour will all pull the eye from what it is meant to be specializing in so take a great look at your background before you take your shot and if potential, find a background that’s not so obtrusive.
As you may see, this manner of composing helps us introduce an element of the ‘dynamic rigidity’ we discovered about in guideline number 6. As with the rule of thirds, we use the lines (of the triangles on this case) to assist us position the assorted parts in the scene.
Filling your body with a pattern that repeats gives the shot more impression, exaggerating the dimensions/variety of the objects you are photographing. Take a look at our tutorial on using points of interest in pictures for more data on this. Think about that your image is split into 9 equal segments by 2 vertical and 2 horizontal traces.
By thinking about how you place lines in your composition, you can have an effect on the way in which we view the picture, pulling us into the picture, towards the topic, or on a journey “via” the scene. I also made use of the rule of thirds when composing the shot.